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Meet Your Artist

Based in Western Massachusetts, the Borosilicate Lampworker known as "Chadams" began his foray into the world of glass in January 2020. Mentored by Kirin Bourgeois, Elliot quickly developed a passion for the artistry of borosilicate glass. His dedication to the craft is evident in his expertise with marbles, pendants, and notably, leaves—a symbol of his artistic signature. Elliot's journey in glass blowing is marked by a commitment to continuous learning, often veering into new territories to explore various techniques and create unique pieces. At the core of his artistic philosophy is a profound belief in freedom of expression, an eagerness to experiment, and a deep-seated love for vivid colors.

Beyond his artistic pursuits, Elliot's affections extend to the natural world and its inhabitants. He harbors a deep appreciation for animals and cherishes the connections he makes with people. His zest for life is paralleled in his enthusiasm for cycling, sailing, and adventure, which are not just pastimes but integral parts of his life that fuel his creativity and passion for his work as a glass artist.

Frequently Asked Questiosn

What kind of glass is it?

Borosilicate glass (aka Boro or Hard glass) is primarily composed of Silica and Boron Trioxide. Borosilicate glass is especially strong and resistant to thermal shock(heat and cold). This is why it has historically been used for Pyrex pans, labware, and smokeware because it can take the heat without breaking or cracking. Glass can be finicky so it is important when using multiple types/colors of glass that they have a compatible coefficient of expansion(COE). Boro has a COE of 32 or 33. Higher COE’s expand and contract more when heated which causes thermal shock.

What form does the glass come in?

For most of my work I use colored and clear rods/sticks of glass as well as clear tubing for hollow work

Is it “blown”?

Some are blown and some are sculpted. Most of my pendants, marbles, and sculptures are not blown but sculpted and created by combining clear and colors then utilizing gravity to implode or shape them. Practically any piece that has a hollow portion is blown(beads, straws, etc.)

Almost all of my functional work(cups, spoons, ornaments, etc.) are blown.

Do you work out of a hotshop?

Nope. Boro is worked on a torch, also called “Lampworking.” I also use a Kiln to keep the glass hot and happy, and cool it slowly so it is less likely to crack. This process is called annealing.

How hot is it?

The kiln ramps up to 1,050 degrees Fahrenheit, at this temp the glass isn’t molten or workable but it is soaked with heat and generally happy. The torch goes up to 5,000 degrees Fahrenheit. Borosilicate glass can soak up a lot of heat and hold onto it. It takes a ton of heat to get it to move and be workable. Because of this the bench itself and a lot of my tools will be hot to the touch during and after working on larger pieces or using tools.

Fixing Policy

Fixing Policy: While it is still glass, Borosilicate glass is stronger than most. Your glass is made to be worn, held, used, traveled with, and loved! Take care, but don’t be overly concerned. If a Chadams Glass piece breaks, keep the pieces and ship them to me. I will repair it or recycle the glass into a new creation for you(you cover shipping or local drop off). This applies to the first break, from there on it will be a case by case basis.